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Throughout the church enhance the splendor of the innovative combined Romanesque and Byzantine style of the building, developed by influential architect Robert W. Gibson (1854 1927).St. Michael's was hardly unique in utilizing the Tiffany company to increase the beauty of its developing: from the late nineteenth through the early twentieth century, scores of American churches, synagogues, public and private institutions commissioned Louis Comfort Tiffany's inside design firm to adorn their buildings with stained glass home windows.Tiffany employed hundreds of glass makers, steel employees and skilled artisans to meet the demands of these commissions. St. Michael's seven lancet windows depicting the Biblical tale St. Michael's Victory in Heaven had been consecrated in 1895 and are a particularly beautiful instance of Tiffany stained glass.1895 Tiffany Altar and ReredosBut St. Michael's turned to Tiffany for much much more than just stained glass tiffany and co outlet windows.The main altar itself and the reredos (the backdrop behind the altar) had been designed by Tiffany. The artistic style of these items represented the best and most contemporary of late nineteenth century ecclesiastical art. The symbols and iconography were historical and Biblical.The altar by itself is made of shining, deep white marble. Its restrained and elegant entrance bears a conventional simplified Celtic knot pattern.From a length, the Tiffany reredos behind the primary altar shimmers like a wall of jewelery. The reredos is produced of shining enamel function and mosaics of colored glass and cabochon semi valuable stones. The grape vine pattern of the enamel function is both lush and tiffany jewelry outlet orderly. The enamel colors match the stained glass. Heat blond mosaic glass and stones create a frame at the borders of the reredos.Religious Symbols Shine like JewelsDirectly over the altar are four mosaic roundels containing the traditional iconographic symbols of the New Testomony evangelists, tiffany outletMark the lion, Matthew the guy, Luke the ox and John the eagle.Hanging high above the primary nave and in the smaller nearby chapel, Tiffany chandeliers and lamps illuminate the sanctuary. On the main altar, a significant brass ornamented crucifix designed by Tiffany is flanked by matching brass vases.1920 Tiffany Elegance in Chapel of the AngelsImmediately after World War I, when St. Michael's received a remarkably big bequest, 1 million bucks, from the estate of Elizabeth Furniss Zimmerman, St. Michael's turned as soon as again to Tiffany for the development of the gleaming artwork deco style mosaic reredos powering the small altar in the aspect Chapel of

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